The Best Camera is the Camera that Works with You

September 27, 2016  •  Leave a Comment

The Best Camera is the Camera that Works with YouThe Best Camera is the Camera that Works with YouThe Best Camera is the Camera that Works with You

Which camera is right for you? We could talk all day long — and in to next week — about various camera brands, models and the features that each has to offer. At the end of the day, however, the best camera is the camera that works best for you.

Chase Jarvis said, and in fact titled his book, “The best camera is the one that’s with you.” These are wise words, because with no camera at all, obviously, you won’t be taking photographs. But that doesn’t tell the whole story. Certainly, if you are just beginning, then any camera will help you get started. But as you advance, you will need something more.

So which camera will fit your needs? It’s simple: The best camera for you is the one that helps you out the most. It should be intuitive, and give you features that you’ll use often to make the photographic process easier. It shouldn’t hinder your work in any way.

A camera is a tool, first and foremost. Think about it like a pencil. If you are trying to write something, then you don’t want a pencil with an eraser that doesn’t work well. You won’t want to fight with the lead breaking all the time. You just want it to work, to write well without a lot of fuss. The same goes for your camera — you want a piece of equipment that doesn’t get in your way.

Of course, this is a bit generalized, so I’d like to talk about some of the specifics. Here are some of the things that I look for in a camera.
 

Opt for Simplicity​

When I talk about simplicity, I’m not talking about a camera that is lacking in features. Instead, I mean that the operation of the camera should be simple.

Take the camera’s menus, for instance. Are they laid out in a way that is easy for you to navigate, or is the menu design counterintuitive? Obviously not every function on a modern camera can be assigned its own button so that you can access it immediately, but you also shouldn’t feel like you are wasting time sifting through the menus in search of what you need.

Speaking of the buttons, are they all marked in a way that is easy to read and understand, or will you spend undue time pressing the more obscure buttons, trying to remember what they do? In addition to this, the buttons — really, the entire interface — should be laid out so that you can navigate them easily. This is particularly true of the shutter release. Most cameras are designed to place the shutter release in the same general spot from one camera to the next, but if you have larger or smaller hands, test the shutter release on each camera that you look at to make sure it fits your hand.

Finally, does the camera allow you to use program buttons? Many photographers have certain settings that they use frequently, so customizable program buttons help you get to those settings easily.
 

Make Sure the Camera is Comfortable to Carry​

Some photographers are perfectly happy with a heavy backpack or one of those Red Rider wagons that they can use to wheel around a massive camera and all kinds of equipment. Other photographers don’t want to feel like they have an anchor around their neck. They’d prefer something lightweight so that they can travel farther with ease.

As you shop for cameras — and the rest of your gear, for that matter — keep this in mind. Buy only what you are willing to carry into the field.
 

Do You Need an Articulated Live Screen?​

For some, the answer is no. Perhaps you are comfortable bending into different positions so that you can view the camera’s screen as you are shooting. However, if you aren’t comfortable bending into odd positions, or if you simply want the convenience of a screen that is viewable at any angle, then an articulated screen is definitely worth your while.
 

Think About Ergonomics​

Simply put, a camera that doesn’t fit your hands well is not going to work for you. Try out a bunch of different cameras, regardless of features or brand names, and evaluate your level of comfort with each. Here are some factors to take into account:

  • Do the grips fit your hands well, or are they too large or small? A camera that is too large for your hands will feel hefty, and various features will be difficult to reach with your fingers, while a camera that is too small feels like you could easily drop it on accident, and you are likely to press buttons on accident.
     
  • What about the lenses? Large fingers find it difficult to operate narrow lens rings. Another issue is the way that the lenses attach to the camera body. Make sure that you are comfortable with the lens mount system that you choose.
     
  • Make sure to look through the viewfinder, even if you prefer using the live view a lot of the time. Make sure that it is clear and bright, and that the LED displays to the side are easily readable.
     

What Will Your System Cost You?​

Cameras come in all budgets, from extremely inexpensive new and used DSLRs to DSLRs that cost tens of thousands. The cost of your first kit shouldn’t be your only consideration. How much will future lenses cost you? Will the high cost of your system prevent you from collecting the lenses that you need later on? You’ll need to choose a camera that fits both your budget and your needs as a photographer.

Then there is the cost of future proofing. Camera models, brands, and lens mounts change all the time. Today, you might decide on one of the cheaper, lesser-known brands, but what happens in ten years, when you have a large collection of lenses for that brand, and the manufacturer is no longer producing new camera bodies? You’ll save money now by opting for one of the major brands that will continue to support the lenses and gear that you buy now long into the future.

Whether you are buying your first camera or your fifth, it isn’t a choice to be taken lightly. Weigh all factors and buy the camera that works well for you.

 


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